‘Donahue’ for Oct. 28

Guest: Michael Moore
       
       PHIL DONAHUE, HOST: Good evening and welcome to DONAHUE, live from the Showcase Cinema West movie theater, the hometown premiere for Michael Moore’s new movie, titled “Bowling for Columbine.” The film is receiving incredible response. You already know that.
       First documentary ever accepted at Cannes film festival in 46 years. Those are all the glitterati from the movie industry. This film knocked them out. Thirteen-minute standing ovation from the audience in Cannes, unanimously awarded the Cannes 55th anniversary Jury Prize award. Written, directed and produced “The Big One,” you know Michael’s past work, and “Roger and Me,” which became the highest grossing documentary of all time.
       The man who is responsible for “Bowling for Columbine” also is the author of two “New York Times” bestselling books, “Downsize This” and “Stupid White Men.” Spent over seven months on “The New York Times” bestseller’s list, much of that in the No. 1 position.
       And now I want you to take just a couple of-take a look at this clip from the movie. Watch this, “Bowling for Columbine”.”
       (BEGIN VIDEO)
       UNIDENTIFIED MALE: Hi, boys and girls. Ready to get started?
       
       MARILYN MANSON, SHOCK ROCKER: Who’s bigger, the president or Marilyn Manson?
       UNIDENTIFIED FEMALE: What you don’t know may kill you.
       UNIDENTIFIED MALE: Don’t talk to me about it.
       JAMES NICHOLS, TERRY NICHOLS’ BROTHER: You say anything to me, I’ll shoot you.
       (END VIDEO CLIP)
       DONAHUE: Here’s your man, Flint, Michigan’s own Michael Moore! Right here.
       (APPLAUSE)
       MICHAEL MOORE, FILMMAKER: Thank you.
       DONAHUE: They’re crazy about you.
       MOORE: Thank you. Thank you very much.
       DONAHUE: Michael, well, you still have a book on “The New York Times” bestseller list, I should make that clear. And now here you are with one of the most honored cinematic features of expression ever to happen at Cannes. And believe me, they do you no favors at the Cannes Film Festival.
       So they quite literally knocked out the judges, everybody in attendance. You’ll tell us what moved you to create “Bowling for Columbine.” And, if you’ve been living in a cave for a long time, you may not know that Harris and Klebold, the shooters in the Columbine massacre, in Littleton, Colorado, went bowling the morning of the shooting.
       Michael, why did you do this film?
       MOORE: Well, I think like most Americans, I was very affected by Columbine the day it happened. And in the weeks after it, I started thinking about how this issue has affected me all my life. It’s the country I live in, the violence and everything.
       I thought, you know, we should really do something about this. So I just got my friends together and we were making our TV show. We approached this Canadian production company to see if they’d give us they money. And they gave the money and we were off making the movie.
       DONAHUE: And you actually spent-did you spend two years putting this together?
       MOORE: Almost three years.
       DONAHUE: Michael, let me understand, this is such a thoughtful piece of work. And you can’t come away. These people have just seen this film. So we’ll get their input in just a moment.
       You see America’s gun culture. You believe this is a violent culture as well. I mean, guns and everything else. This is a violent culture. Would you sign off on that?
       MOORE: Yes. I believe our mentality as Americans is to shoot first and ask questions later. We just, we go for the gun in a way that no other country does. We just-we somehow believe we have some sense of entitlement or some manifest destiny, or I don’t know what it is.
       Let’s just go for that gun, and that’s how we’re going to resolve our disputes. And I don’t mean that just on a personal level, which is where a lot of the-obviously, the homicides come from. I mean that on a political level and on a global level.
       Because, just what we’re dealing with right now with Iraq. The guy who’s sitting in the Oval Office tonight. He wants to bomb. We don’t need any more inspections, let’s just bomb them and we’ll find out later if they have the weapons. That’s the American way. I don’t like that.
       I’m an American. I paid for those bombs. And I want it stopped. I want that stopped.
       DONAHUE: And that’s the point you’re making in this movie, as you talk to-you went to talk to people at Lockheed Martin, which has a large post in Littleton.
       MOORE: They’re the largest private employer in Littleton, and also the world’s largest weapons maker. And it was just one of those weird ironies, that the company that is set up to make weapons of mass destruction is based in part in this town that had this horrible mass destruction at their high school.
       And I thought that was worth looking at, to think about how all these little threads of violence just weave into our society, sort of this fabric is created. And it doesn’t mean because Lockheed’s there, that’s why those kids did that.
       I’m asking the people of this country, especially people who see this movie, to think, you know, maybe we should be behaving a little differently. Maybe we shouldn’t be spending so much of our tax dollars on Lockheed Martin, for instance.
       DONAHUE: Right. The bullets were purchased at Kmart, that killed those kids at Columbine.
       MOORE: Many of them, yes.
       DONAHUE: Incidentally, you did something in this film that I think we should do more often. You had the kid pull up his shirt and show the holes where he had been shot. This is one of the victims that survived the Columbine massacre.
       MOORE: That’s right, yes.
       DONAHUE: So, show the pain. See the scars. The kid had, what did he have in his back? Three or four or five holes?
       MOORE: He had, like, nine different bullet holes, I believe. I believe that every human being has a conscience, even corporate executives.
       (LAUGHTER)
       MOORE: They’re human beings. Somewhere deep down in there, you know, at one time they were good. And I’ve always, I’ve had this weird kind of optimistic belief that, if you appeal to their conscience, if I take the kids there-one of them’s paralyzed in a wheelchair-show this to the corporate executives.
       I’m hoping against hope that they will not go away and say, well, what did we have to do with this? We just put the bullets on the shelves. You know, the good German. I just drove the train. I had nothing to do with this.
       Well, we all have something to do with it. And if you put the bullets on the shelves and you’re selling them to teenagers, you do have a responsibility for it. And I want you to understand that and I want you to stop selling this ammunition. And I was completely stunned when, 24 hours later, they cried uncle and said, OK. That’s what we’ll do.
       DONAHUE: You’re a member of the NRA and you went to Kmart and you actually moved them to stop selling the ammunition, as we see on your film.
       MOORE: Yes.
       DONAHUE: And that holds today?
       MOORE: Yes, for handguns and for assault weapons. Hunting stuff, I don’t care. They’re still selling that. There’s nothing against hunters here. I’m all for hunting.
       DONAHUE: You’re talking about long guns.
       MOORE: Yes, I’m talking about stopping the selling of ammunition for weapons that are specifically designed to kill human beings.
       DONAHUE: And you see that as pistols, handguns.
       MOORE: Handguns or weapons where you can fire multiple rounds at a time. You don’t need to essentially spray the woods to get your deer. If you do, you should be, you know, doing needle point or some other sport.
       DONAHUE: OK, so let’s understand. You’d like a ban on the sale of handguns.
       MOORE: Yes. I believe that we don’t need handguns.
       DONAHUE: And a ban on the sale of brrr! That kind of gun.
       MOORE: Anything that fires multiple rounds like that, absolutely.
       DONAHUE: Which a significant number of cities and various areas of our nation actually do now.
       MOORE: That’s right. When I moved to New York City a decade ago, there were 2,100 murders that year. New York then enacted very strong gun laws. You cannot really-you can’t buy a gun in New York City. Last year there were 600 and some murders, down from 2,100. This will reduce a lot of it. But it’s not the full solution.
       And that’s why I agree with the NRA in part, when they say guns don’t kill people, people kill people. Because it really is the people. But I’d like to define people the as-you know, I’d like to say guns don’t kill people, Americans kill people. Because I think that’s what’s really at the core of this.
       And we need ask ourselves, why do we, as Americans, do this? And the French don’t do it, the Germans don’t do it, the Canadians don’t do it. They’re not any better than us. They’re not any less violent as a people. They’re humans, they have the same responses as we have. Why don’t they go for the gun and kill at the rate that we do?
       DONAHUE: We are in Flint, Michigan with Michael Moore. This is his hometown. “Bowling for Columbine” is at a movie theater near you, and we’ll be back in just a moment.
       (COMMERCIAL BREAK)
       (BEGIN VIDEO CLIP)
       CHARLTON HESTON, PRESIDENT, NRA: From my cold, dead hands.
       MOORE: Just 10 days after the Columbine killings, despite the pleas of a community in mourning, Charlton Heston came to Denver and held a large, pro-gun rally for the National Rifle Association.
       (END VIDEO CLIP)
       DONAHUE: That’s from Michael Moore’s “Bowling for Columbine,” a movie that also has Michael visiting the home and being welcomed into the home of Charlton Heston. You’ve got to see this film.
       May I just review, Michael, here are gun deaths in a year. We hear this all the time, but it just-Germany, 381, France, 255 — this is one year. Canada, 165 deaths, United Kingdom, 68, Australia, 65, Japan, 39. The United States of America, 11,127.
       I mean, what will shame us? Yet you’re saying that this is not, as you would say, not a gun control movie. Is that so?
       MOORE: Right. Because honestly, I don’t think, ultimately, getting rid of the guns will be the answer. I think if we got rid of all our guns in the U.S., we would still have the psyche problem-the problem that says we have a right to resolve our disputes through violence. That’s what separates us from these other countries.
       All those countries you just mentioned, Phil, have all banned the death penalty. They believe it’s immoral to execute other human beings. There are so many other things you could go through and point out, about how they structure their societies.
       I mean, think about Japan, first of all. One-hundred-and-twenty million people, 39 gun murders a year. That’s almost unfathomable to us. I mean, we can’t even imagine-that would be like us having 89 gun murders a year in the entire country.
       But they work it out differently. You know, the Canadians, they believe that if you get sick, you should have the right to a doctor. They believe if you lose your job, you have a right to get help.
       If you were poor in Canada, or in these other countries, the majority of the country wants to embrace you. They want to help you. What we want to do is, we want to beat up on the poor.
       We want to say, you’re poor? We’re going to make you suffer even more. And I think that that leads to a lot of violence, especially in our inner cities, because you’ve got these state acts of what I call state-sponsored terrorism and violence against our own people: Welfare to Work, et cetera, et cetera. It’s all...
       (APPLAUSE)
       DONAHUE: (UNINTELLIGIBLE).
       QUESTION: First of all, I’d like to ask Mr. Moore-well, say to you, Mr. Moore, thank you from Beecher school district, for being there for us. I’d like to ask anyone, what will it take to bring the community together besides the violence? Because it seems like we do not come together until we have violence.
       DONAHUE: Forgive me just a second, and we’ll talk about this in a moment. A 6-year-old child was killed by a 6-year-old child using a handgun in the city of Flint. More on that later. Please, Michael.
       MOORE: Well, I think-this occurred in the Beecher school district. It sits on the border of the city limits of Flint. And this is a district where 87 percent of the kids live below the federal poverty level — 87 percent. That right there should just shame all of us. It’s a crime that that is allowed to exist, in the wealthiest country on this planet, that we would let this get to this point.
       And it’s black and white in Beecher. It’s where sort of-it’s the garbage dump of our county, where poor whites and poor blacks are forced to live, because they can’t afford the housing elsewhere, because they can’t get jobs, real jobs, anywhere in this area. And unless that stops, we’re going to continue to have this kind of violence.
       I don’t think any of us, as saddened as we were by the Buell shooting, were truly shocked by it, were we? We weren’t completely shocked. We knew that eventually it would get this bad. And we fear that it will get even worse.
       DONAHUE: We’re in Flint, Michigan with Michael Moore, the man responsible for the film, “Bowling for Columbine.” And we’ll be back in just a moment.
       (APPLAUSE)
       (BEGIN VIDEO CLIP)
       MOORE: If you turn on the evening news, America still seems like a pretty scary place.
       UNIDENTIFIED MALE: Is he dangerous? What’s he up to?
       UNIDENTIFIED MALE: What are you trying to pull, man?
       UNIDENTIFIED MALE: Why are people scared?
       MOORE: Remember all the Y2K scares?
       UNIDENTIFIED FEMALE: There’s going to be mass chaos and confusion.
       MOORE: Or how about those killer bees that were going to attack America?
       UNIDENTIFIED MALE: We’re almost certain they’ll arrive this year.
       MOORE: The bees never came.
       (END VIDEO CLIP)
       (COMMERCIAL BREAK)
       (BEGIN VIDEO CLIP)
       MOORE: Do you know that the day that Columbine happened, the United States dropped more bombs on Kosovo than any other time during that war?
       MANSON: I do know that. And I think that that’s really ironic, you know, that nobody said, well, maybe the president had an influence on this violent behavior. No, because that’s not the way the media wants to take it and spin it and turn it into fear.
       But then you’re watching television. You’re watching the news. You’re being pumped full of fear. There are floods, there’s AIDS, there’s murder. Cut to commercial. Buy the Acura, buy the Colgate. If you have bad breath, they’re not going to talk to you. If you have pimples, the girl’s not going to [Audio Deleted] you.
       And it’s just this-it’s a campaign of fear and consumption. And that’s what I think it’s all based on, is the whole idea that, keep everyone afraid and they’ll consume.
       (END VIDEO CLIP)
       DONAHUE: Well, the spiel from your movie, Michael Moore —- we should say that we’re in Flint, Michigan, home of Michael Moore, for the premiere of this movie, from which this Marilyn Manson interview was taken.
       You asked him, what would you say if you had a chance? What would you say to the kids from Columbine today? And he said?
       MOORE: He said, I wouldn’t say anything. I’d listen to them, and that’s what nobody did. I thought that was one of the most intelligent things said in the film.
       DONAHUE: Yes, sir?
       QUESTION: I’m a student at Beecher High School. I was wondering, I had a question for Mike. In the scene that you showed that you interviewed and you followed along the little boy’s mother, I was wondering why didn’t you follow along the Columbine students’ mother? Why didn’t we hear from them? That’s what I want to know.
       MOORE: You may be confusing the little boy’s mother with the principal of the school. That was the school’s principal with whom you were speaking.
       MOORE: Yes, that was the...
       QUESTION: Also the mother, she was also in...
       MOORE: Do you mean her circumstances?
       DONAHUE: Oh, I see what he’s saying.
       MOORE: The mother of the little boy who did the shooting was forced into Michigan’s Welfare to Work program.
       DONAHUE: Twenty seconds, I want this in. This woman had to go back to work because they took her house money away.
       MOORE: Right. She was being evicted. She had to place her son and daughter at her brother’s house. That’s where the kid found the gun. Why wasn’t the mother there? Because the state of Michigan wanted her to pay back her food stamps and Medicare. So they had her on an 80-mile round trip every day to pay back the state.
       DONAHUE: We’ll be back with Michael Moore in just a moment.
       MOORE: It’s wrong.
       (APPLAUSE)
       (COMMERCIAL BREAK)
       DONAHUE: More with filmmaker Michael Moore from his home town of Flint, Michigan, the place where the movie is premiering, titled “Bowling for Columbine.” We’ll talk with Michael Moore more after the news from MSNBC.
       (NEWS BREAK)
       (BEGIN VIDEO CLIP)
       911 OPERATOR: Genesee County 911.
       TEACHER: I have a student at Buell School that has been downed. I need an ambulance immediately.
       911 OPERATOR: Where is the child that’s been shot?
       TEACHER: Right here, on the floor of my class. Oh, God, please!
       She’s getting white!
       MOORE (voice-over): Back in my home town, the 6-year-old first grade boy at Buell Elementary had found a gun at his uncle’s house, where he was staying because his mother was being evicted. He brought the gun to school and shot another first grader, 6-year-old Kayla Roland (ph). With one bullet that passed through her body, she fell to the floor and lay there dying.
       (END VIDEO CLIP)
       DONAHUE: You make the point in this film, Michael, that this young-
       the young boy who shot the little girl whose picture we have out there-
       hold that up so our cameras can find you. This beautiful child will never
        it’s just-it’s-this is beyond sad. Her mother was moved off Welfare. This was the Clinton ending welfare as we know it. And one of the things she had to do was so-called farm her children out to relatives because she had to go to work. Tell us.
       
       MOORE: And she was being evicted from her home. And that’s in spite of the fact that she had two minimum-wage jobs. Two minimum wage jobs is not-at $5.15 an hour is not enough to pay even the basic bills these days. And so-so she doesn’t want to take the kids out of school. She puts them with her brother. Her brother not necessarily the best guy to put the kids with, but it’s your brother. You’re thinking, Well, OK. But the child finds a gun there.
       And why isn’t the mother there? Because the mother is on a state bus to go to down to one of the richest areas in America, suburban Detroit, Auburn Hills, to work for $5.15 an hour in two different jobs in the mall, one of them in Dick Clark’s American Bandstand Grill. And then she’s back, you know, at 10:00 or 11:00 at night. Doesn’t see the kids.
       Is that the society that we want, where we pull mothers out of a home, where they’re not there with the little kids?
       DONAHUE: Right.
       MOORE: You know that-I mean, we have to share in the responsibility for the results of these policies.
       DONAHUE: Right.
       MOORE: We can’t just sit back and say, Well, you know, she should have done her job. Done what job, when she’s being forced by the state to be gone for 14 hours a day? That’s...
       DONAHUE: It was at her brother’s house...
       MOORE: Yes.
       DONAHUE: ... that the 6-year-old boy...
       MOORE: Yes.
       DONAHUE: ... got the gun that he took to school and shot this child.
       MOORE: Right.
       DONAHUE: And this was a woman who was not able to oversee her own children because of the Clinton Welfare reform.
       Here’s the president of the United States announcing that reform. I believe this is his first term.
       MOORE: Which one? The elected president, right?
       (LAUGHTER)
       DONAHUE: Yes. President Clinton.
       MOORE: All right.
       DONAHUE: Watch this.
       (BEGIN VIDEO CLIP)
       BILL CLINTON, PRESIDENT OF THE UNITED STATES: From now on, our nation’s answer to the problems of poverty will no longer be a never-ending cycle of Welfare. It will be the dignity, the power and the ethic of work.
       (END VIDEO CLIP)
       DONAHUE: Yes. If you can get it.
       MOORE: Well, this-I’ll tell you, that’s just the saddest-you know what’s so sad about Clinton? Here’s a guy who came from the working class, raised by much of his childhood by a single mother. The fact that he forgot where he came from-truly one of the most tragic presidents we’ve had in a long time.
       DONAHUE: You wanted to say? Yes, ma’am?
       QUESTION: I’d like to know what made you go to Columbine to do this documentary?
       MOORE: I’m-in this film, I’m trying to show that many of the policies that are set up, for instance, by the state of Michigan or whatever, create a very dangerous situation. You know, if we lived in a society that said our first goal was employment at a livable wage for everyone, if the person living next door to you-if that person’s making $40,000 a year, what’s the chance they’re going to come in and steal your TV or harm you on the street? Absolutely none.
       And we should-this is what we should all push for. Republicans, Democrats, liberal, conservative, you’re all better off-we’re all better off if everybody’s working and earning a decent wage. You’re going to have so many fewer problems and much less violence.
       (APPLAUSE)
       DONAHUE: Is there anybody in America that hasn’t had their picture taken as a child on top of a pony? I’d be happy to show you little Phillie’s picture on top of the pony. But I had-I had-I want-just wanted to make the point. I had guns on, on top of that pony. And I didn’t just go “Bang.” I went-are we so different? Eleven thousand murders and less than 200 in Canada? The only thing separating us from Canada is an imaginary line. So...
       MOORE: Because those Canadian kids are riding the little pony, firing their little guns, too. And they’re watching violent movies and they’re listening to Marilyn Manson, they’re doing all those things, but they don’t kill each other because they’re brought up from a very early age to believe that they’re all in the same boat, that they have a collective responsibility toward each other, not every man for yourself. You know, “Me, me, me, me.” That’s the American way. That’s what’s got to stop.
       DONAHUE: Yes, sir? You wanted to ask? I’m going to just give you this right here. Go right ahead.
       QUESTION: I think one point that hasn’t been brought up here today that was brought up in the movie-it’s a great point-that even though crime in this country has gone and has declined, the media is sensationalizing it.
       MOORE: Yes.
       QUESTION: The coverage of murders has gone up 600 percent, which I learned from your film...
       MOORE: Right.
       QUESTION: That’s tragic...
       MOORE: While the murder rate is down 20 percent.
       QUESTION: While the murder rate is down 20 percent. That’s tragic.
       MOORE: Coverage of it up 600. Why are they doing that?
       QUESTION: They’re doing it because “If it bleeds, it leads.” It’s that mentality, and it’s all about ratings. And it’s unfortunate that if you showed Canada news, where the top story, the breaking news is speed bumps. And you said Canada-Canada’s got guns, but they don’t have the violence.
       MOORE: Right. Because...
       QUESTION: But yet, here-here speed bumps wouldn’t even make the news.
       MOORE: Right. Because the American media wants to pump you full of fear. All summer long, what was it? Child abductions, right? Every other day it was the child abductions. The truth is, child abductions are fewer from this year than last year. And there were fewer last year than the year before. It’s constantly pumping you with this fear that, You could be next! Lock your doors! Buy another gun!
       DONAHUE: Because it draws a crowd, which is the coin of our realm. It’s what you have to do to stay on the air and sell merchandise. So this is how we play the game. But we could spend-and why are we so focused - - incidentally, anybody here from Canada? You know, I want to you see this piece of Michael’s film, “Bowling for Columbine.” Watch this. Watch this.
       (BEGIN VIDEO CLIP)
       MOORE (voice-over): As an American with three locks on his doors, I found this all a bit confusing. Even here in Toronto, a city of millions, people just didn’t lock their doors.
       (on camera): So you don’t lock your doors, but we Americans do. Why is that?
       UNIDENTIFIED MALE: You must be afraid of your neighbor.
       MOORE: Do you ever leave your doors unlocked at home? Yes? You do?
       (voice-over): I decided to go unannounced to a neighborhood in Toronto to see if this unlocked door thing was true.
       (on camera): Oh! Hi. Sorry! Just checking.
       Oh, hello!
       Oh, hi. Nobody locks their doors.
       This door was wide open. And you’re not afraid?
       UNIDENTIFIED FEMALE: Should I be afraid?
       MOORE: Oh, I don’t know. You live here.
       UNIDENTIFIED FEMALE: No, I don’t think I’m afraid.
       MOORE: You’re not, are you.
       UNIDENTIFIED FEMALE: No.
       (END VIDEO CLIP)
       DONAHUE: Would you leave your doors open at night? Unlocked? That is something.
       Yes, ma’am?
       QUESTION: I’m the mother of both-kids of two (UNINTELLIGIBLE) boys, one who made this town proud by being part of the Michigan State Flintstones-they’ve won the national championship-the other murdered on the streets of Flint by a drive-by shooting. Michael, I’d like to know, as I’ve always respected you, what can we do to organize this town so that we can be a part of the solution to this problem? And I’m talking about mothers of murdered children.
       MOORE: I think we’ve got to throw out the old leadership and get fresh blood, new blood that’s running-that’s going to run this town and other towns like this. We’ve got to throw the people out of office who have just presided over all of this despair. Nothing ever gets better. I’m sick and tired of it.
       You know, Phil, you were here, what, 10, 12 years ago when “Roger and Me” came out. And at that time, we had 50,000 GM jobs still. We had lost 30,000, but we still had 50,000. Today there’s 12,000 GM jobs left here in Flint, just-in just the decade since “Roger and Me.” And nothing has happened. It’s only gotten worse. During a time of incredible wealth in this country, cities like Flint, Michigan, have just been on the ropes.
       And you know, I got to say, I don’t know-if I were the mayor of this town, I would be down there to Ford Motor, and I’d say, You want to make General Motors look bad? Put a factory here in Flint, Michigan. Put a factory here because people will line up around the block, and they’ll work their butts off for you. Pay them a good wage, and that’ll bring this town back. You know, but there’s no thinking like that about how to bring other jobs here.
       (APPLAUSE)
       DONAHUE: Yes, sir? Over here. Please.
       QUESTION: Michael, I’m here with Mott Community College Learn (ph) Club, the criminal justice club. So these students are future law enforcement agencies here, right here. We want to make a difference. We’re aware that what’s going on in our nation today is not working-punishment, retribution. We know. Everyone knows. Why is our legislative bodies-why are they not doing anything to make a difference?
       MOORE: Because it’s much easier to get elected, again, playing off people’s fears. Run a law-and-order campaign. Promise you’re going to lock everybody up. Play on the racism of the white voters, and let them know you’re going to lock up the black community, or as many of them as you can. We’ve got two million people in prison now. You know, that’s the easy way to go.
       The hard way to go is to say, You know what? If we work toward full employment and if we had a safety net to catch anybody who wasn’t employed, where we made sure everybody had the means to get through day and the week and the month, we would have an enormous decrease in crime.
       But that’s not-that’s hard work, isn’t it. That would take smart politicians. That would take-that would take an effort amongst all of us, as the voters, to say, We want to be like the Canadians.
       DONAHUE: Right. Right.
       MOORE: We want to be thinking for each other collectively.
       DONAHUE: And you will not vote for someone that you think is soft on crime. Don’t tell me you will!~ You won’t. It’s a third-rail issue. You can’t possibly run for public office saying, You know, we have too many people in jail. It doesn’t work. We are hooked on find them and throw them in jail and forget them.
       And we’ll be back in just a moment.
       ANNOUNCER: Coming up: Michael Moore talks about the negative portrayal of black men in the media. And Wednesday on DONAHUE: If convicted, should sniper suspects Malvo and Muhammad be sentenced to death? Phil takes the question to a live studio audience.
       We’ll be right back.
       (COMMERCIAL BREAK)
       (BEGIN VIDEO CLIP)
       MOORE (voice-over): I went to see a former producer of “Cops” and executive producer of “World’s Wildest Police Videos,” Mr. Dick Hurland (ph).
       DICK HURLAND: You look “liberal” up in the dictionary, and I think my picture’s in there somewhere. Yes.
       MOORE (on camera): So then-then, you know, why not be compelled to do, you know, a show that focuses on, you know, what’s causing the crime, as opposed to just chasing the criminals down?
       HURLAND: Because I think it’s harder to do that show. I don’t know what that show would be.
       MOORE: I’ll pitch you one. I’ll pitch you one, OK?
       HURLAND: All right.
       MOORE: Do a show called not “Cops” but “Corporate Cops.” I’m telling you, everyone in America who’s got just your basic everyday, you know, job is going to love watching the boss being chased down the street with his shirt off, thrown to the ground and a knee to the neck.
       (END VIDEO CLIP)
       DONAHUE: He’s with you! But it’s not likely.
       Eric Thomas (ph) is your name. And you’re how old, Eric?
       ERIC THOMAS: I’m 25.
       DONAHUE: You’re 25 years old. When were you shot? How old were you when you were shot?
       THOMAS: Twenty.
       DONAHUE: Twenty. This was-who shot you?
       THOMAS: It was my fiancee at the time, like, her couple ex-boyfriend, like, her ex-ex-boyfriend from the past. Got out of prison.
       DONAHUE: Right. And is this a C-2 injury we’ve been talking about?
       THOMAS: C-3, C-4.
       DONAHUE: C-3, C-4. So you’re, then-your paralysis...
       THOMAS: Neck down.
       DONAHUE: Neck down.
       THOMAS: (UNINTELLIGIBLE) neck down, yes.
       DONAHUE: You must appreciate what the local town boy is doing here, Michael Moore.
       THOMAS: Oh, definitely. I like the part that, when he-the guy from Columbine, when you went to K-Mart, (UNINTELLIGIBLE) people of K-Mart, and you showed the actual-what can happen because they don’t show that a lot. They show, like, a shooting. They’re either-they’re alive walking around or they’re dead. They don’t ever show, like...
       DONAHUE: Yes.
       THOMAS: ... you know, paralyzation a lot.
       MOORE: You’re right. We don’t usually see that but it’s because television doesn’t want us to be thinking that you can actually fight City Hall and win that-you know, what we’re told from the time we’re kids, Don’t rock the boat. Don’t beat your head against the wall, right? That’s what the system teaches us because it wants us in line. It wants us on their assembly line, you know, so that we’re-that we conform. And in this scene, to see these kids take on K-Mart and win, it’s really a great moment. And it makes me feel good to hear that you-that you enjoyed that. I appreciate it.
       DONAHUE: Yes?
       QUESTION: First of all, I was raised in the Beecher district, and I’m very proud of that. And also, what I wanted to-I wanted to comment on the issue about a black man being arrested on TV, shown on TV.
       DONAHUE: Yes. Yes.
       QUESTION: And I think that helps perpetuate the myth that we’re committing all these crime. Not to say there’s not any crimes, but if you’re black, it’s going to-you know, it’s going to make the news, just like-I look at right here in Flint, when black people are killed, we get little, small headlines, like that, on a police blotter. When some white person is killed, first page, front page news, big articles.
       DONAHUE: Yes.
       MOORE: Right. Race is used to manipulate the fears of white people to vote for conservative politicians, to vote for conservative policies. And then white people — 90 percent of the guns in this country are bought out in the white suburbs where you don’t need them because there’s virtually no crime. And as the prosecutor says in the film, these guns then are stolen from the white communities and end up back in the inner city, creating all this violence. And it’s-it’s-until we deal with race, we’re not going to really get to the core of a lot of our problems.
       DONAHUE: We are in Flint, Michigan, with Michael Moore, and we’ll be back in a moment.
       ANNOUNCER: When DONAHUE return: a showdown with Saddam, the war on terror and the alleged “axis of evil.” Michael Moore wants to know when Americans are actually going to get some attention from the Bush White House.
       DONAHUE we’ll be right back.
       (COMMERCIAL BREAK)
       DONAHUE: We’re in Flint, Michigan, with Michael Moore, who’s responsible for the movie-produced, written, edited, filmed, he did everything. It’s titled “Bowling for Columbine.” It is a look at America’s violent nature. How did we get this way? Why did we kill more than 11,000 people in one year to gun violence? And you think this translates into foreign policy? Do I understand you, Mr. Moore, sir?
       MOORE: That’s right. I think that if we’re taught from an early age
       that it’s OK to use violence to resolve our problems personally, then it’s
        what do our kids think tonight when they look at George W. Bush and he says it’s OK to go bomb Iraq?
       
       I mean, it’s-this isn’t just starting with Bush. I mean, we have lived our lives-ever since I was born in the ’50s, we’ve overthrown democratically elected governments. We’ve staged coups. We sent our boys to die in Vietnam for nothing and killed Vietnamese for nothing. We have this whole sad history of this kind of violence. And it is connected. It doesn’t just happen in a vacuum.
       And it’s no surprise to me why people outside this country in other countries look at us and wonder Why? Why do you do this? Why do you want to jump to war right now against Iraq? Of course, we all know it’s not about weapons of mass destruction, it’s weapon of mass distraction, you know, so that Bush can get our minds off the economy and what’s really going on because there’s an election coming up.
       (AUDIENCE)
       MOORE: That’s what’s really going on.
       DONAHUE: Yes, ma’am?
       QUESTION: Hi. We’re from Canada, and we’re very pleased you made this movie because we’ve been wondering for many, many years why America just doesn’t get it. My husband here is the local coordinator in Sarnia (ph) for the Coalition for Gun Control. Why don’t Americans get that we have to change?
       MOORE: You know, let me tell you something. We’re actually a really good people. We are so-you know this about us. We’re generous. After 9/11, everybody poured out to be supportive. As individuals, we get it. It’s when we collect-when we get together as a society, as an electorate, that’s when we somehow don’t think straight. And we just march like lemmings behind whoever’s in the Oval Office.
       The great thing about you Canadians is that you’ve decided a long time ago that you’re going to be responsible for each other. Do you know what the-the country I live in, we won’t even put it in writing that a child has a right to a doctor. A child! We won’t even-that’s what we do for our own children! We won’t even do that slight little bit, universal health care for kids. If we would treat our own children that way, and you must think this about us...
       DONAHUE: Well...
       MOORE: ... how would we treat children of Iraq?
       DONAHUE: Yes. We won’t sign...
       MOORE: Or anywhere else.
       DONAHUE: We won’t sign the land mine treaty.
       MOORE: We won’t sign...
       DONAHUE: This is led by...
       MOORE: That’s right.
       DONAHUE: Canadians are leading the way.
       MOORE: Because Canadians don’t think first, Hey, let’s go in and just obliterate people. Their thinking is, you know what? We’re human beings. We can sit down. We can negotiate. We can work this out.
       QUESTION: You didn’t even sign the Kyoto accord, which...
       MOORE: We won’t sign any of that stuff...
       QUESTION: I mean, that’s our future!
       MOORE: ... because of our arrogance and our sense of entitlement. And it, I guarantee you, like the Romans, will be our undoing. We will unravel as a result of that because we didn’t take care of the real threat, 40 million people living in poverty, 50 million people with no health care, 40 million adults who can’t read and write on an adult level. That is what will make our society collapse, not Saddam Hussein, folks! Not Saddam Hussein. No!
       (APPLAUSE)
       DONAHUE: Well, I regret that the time has flown here in Flint, Michigan. Let us conclude by saying once again, we-I am pleased to do highly recommend this film. It’s going to make you mad, sad and, on occasion, glad. This is a tour de force. You have my congratulations.
       MOORE: Thank you, Phil.
       DONAHUE: Now it’s time for Chris Matthews and “HARDBALL.”
       END